NEWS

Catch up: Tom Geraedts

We love to keep tabs on new directors who we’ve discovered and way back in November 2009 we first posted an interview with Dutch-born Tom Geraedts. Based in London, Geraedts has been working with M-I-E, which is now repped by Hungryman, and has managed to complete this 3D video for dancescene artist Armin van Buuren in his spare time.

“We had to complete the video in three weeks, which meant crazy hours, but I loved every bit of it. It is funny how the job came to me, about two years ago I saw him playing live and I was disappointed with the visuals that played during his gig. The day after I created a project folder called ‘Armin van Buuren’ on my mac but I never contacted him. Much later I got contacted by a friend who was working for him.

“Trance music could be classified as accessible music, full of euphoric moments, high-pitched synths and piano tunes. The trance-crowd loves these things, so the video had to match. It was a lot of fun to actually put it all in there, landscapes, energy waves, solar flares, all for the sake of that euphoria that the trance ravers would love. And it worked. Seeing the flag of their country makes them go wild!

The design and 3D modelling of the characters and spaceship was done by Dancefoundation.com. I also got some help with the illustrations from my friend Joep Gerrits.”

Other News

Steve Won on being a director who can change direction

After picking up a Gold Screen in the Changing the World Frame by Frame category  More…

How the wild west and a wunderkind boy actor helped Nick Alexander win a YDA

Nick Alexander talks to Izzy Ashton about his route into directing – via a stint  More…

Mia Mullarky talks human nature and neurodiverse casting

After working as a behavioural psychologist in her early twenties, Mia Mullarkey discovered an interest in exploring  More…

Jackie Lee raises a glass to British pub culture

Jackie Lee’s spot for Mahou won Gold in the Commercial category at this year’s YDA.  More…

Eugenia Hamilton’s YDA mouthpiece

Using a nefarious nightclub spiker’s mouth as a lens, Eugenia Hamilton’s impactful Malevolence tells a personal tale  More…

Emma Branderhorst on a second year of YDA wins

Continuing our round-up of YDA Golds, Emma Branderhorst reflects on following up last year’s victorious short Spotless with  More…