NEWS

Thomas Hilland: How on earth did he do that?

Relax. Focus. Forget everything else. Then click and watch Dragonfly Love.
M-a-r-v-e-l-l-o-u-s. Partizan Darkroom director Thomas Hilland used the Nokia N8’s impressive HD camera to shoot this fabulous tale. And he sure did use it. The smartphone was strapped to remote-controlled model helicopters for aerial shots, put in a plastic bag for the underwater scenes, hauled up in fishing nets, and put inside drawers, cupboards and strapped to bikes. This gets our vote for ingenious film-making that just goes to show you don’t need the hi-end kit to make a cracking good film.

And from those wonderful men and their flying machines… here’s how…

Other News

Folkert Verdoorn & Simon Becks: Directors with drive

shots speaks to the Gold Music Video winners on Driving Round Looking for Unknown’s tragic  More…

Joachim Morre’s corrective vision: Pushing back against prison clichés

The Danish director reflects on the human-centred series that earned two Golds, and why storytelling  More…

How Fiona Obertinca brought lost queer history to the screen

Director Fiona Obertinca, who won a Gold in the Film School category for her short Dandelion, talks about  More…

Seeing through Leve Kühl’s eyes

UPPERFAST director Leve Kühl’s UNHCR film, Through My Eyes, picked up Gold in three categories; Changing  More…

Oliver Pilemand’s lessons in love

True love never did run smooth, and the recognisable scenario in Oliver Pilemand’s YDA-winning comedy short  More…

Anja Giele’s Peas of Mind

The Filmakademie Baden‑Württemberg director discusses how she sprouted the YDA‑winning stop‑motion short What was I made  More…